Page 112 - 2019-20 GCC Catalog

ART 109

153 161 166
INTERMEDIATE FIGURE DRAWING PAINTING II FIGURE PAINTING
3.0 Units 3.0 Units 3.0 Units
ART 153 is the continuation of basic stud- ART 161 is the application of principles, theo- ART 166 is an intermediate studio art
ies in drawing the fi gure from life. Further ries and techniques of drawing and painting course that focuses on painting the human
emphasis and attention is given to the to problems of still life, fi gure, landscape, fi gure from life. Students will combine their
development of technique, composition, and non-objective painting. Lecture 2 hours/ knowledge of life drawing and painting to
form and movement in drawing the fi gure. Studio 2 hours. Prerequisite: ART 160 or complete a series of fi gure paintings. Class
Expressive use of media, content and narra- equivalent. Course Typically Off ered: Fall/ time will include material demonstrations of
tive, and the development of original projects Spring. Transfer Credit: CSU, UC, USC. (Oil techniques in painting, lectures focused on
is explored. Lecture 2.5 hours/Laboratory 1.5 Media Family) classical and contemporary approaches to
hours. Prerequisite: ART 152 or equivalent. 164 the human body, and studio practice from
Course Typically Offered: Fall/Spring. WATER COLOR I live models. This course will also emphasize
Transfer Credit: CSU, UC, USC. (Life Draw- 3.0 Units color mixing as it relates to fi guration and
ing Family) will address advanced topics in composi-
ART 164 is a study of water color medium tion and aesthetics. Lecture 2 hours/Studio
157 and techniques. The problems of paint- 2 hours. Prerequisite: ART 152 or equiva-
GALLERY STUDIES/ART ing are directed with a regard for special lent. Recommended Preparation: ART 160.
PRESENTATION qualities of water color. Class assignments Course Typically Off ered: Fall/Spring. (Oil
3.0 Units include various approaches to landscape Media Family)
ART 157 is an introduction to the principles painting, still life, and fi gure painting. Other
and practices for gallery/museum presen- studio problems emphasizing abstraction 170
tations of various art media. The course and non-objective painting are explored. PRINTMAKING I
includes: basic preparatory and curatorial Outdoor painting trips are used to help gain 3.0 Units
work; installation techniques in a profes- experience and skills in landscape painting. ART 170 is an introduction to various print-
sional gallery setting utilizing various Lecture 2 hours/Studio 2 hours. Prerequi- ing processes including linoleum cuts,
art media; publicity; and administrative site: ART 150 or equivalent. (ART 150 may woodcuts, engraving, drypoint, etching,
tasks and procedures. Also included is the be taken concurrently.) Course Typically and aquatint. Creative personal approaches
development of a personal artist statement, Off ered: Fall/Spring. Transfer Credit: CSU, to printmaking are encouraged. Technical
resume, visual materials and a cover letter UC, USC. (Water Media Family) and expressive qualities of the various media
for individual portfolio presentation. Lecture 165 are explored. Lecture 2.5 hours/Laboratory
2.5 hours/Laboratory 1.5 hours. Prerequisite: WATER COLOR II 1.5 hours. Prerequisite: ART 130 or 150
None. Course Typically Off ered: Fall. Trans- 3.0 Units or equivalent. Course Typically Off ered:
fer Credit: CSU. (Special Projects Family) Spring. Transfer Credit: CSU, UC, USC.
ART 165 is a continuation of the study of (Print Making Family)
158 water color painting for the more advanced
LIFE DRAWING LABORATORY student. The application of general principles 171
1.0 Unit and theories of painting in reference to the PRINTMAKING II
NON-DEGREE APPLICABLE special qualities of the water color medium 3.0 Units
ART 158 enables life drawing students to is expanded. Class problems include experi- ART 171 explores various approaches and
have additional supervised life drawing mentation of a variety of techniques and techniques of intaglio printing with special
studio time, and to increase their technical stylistic approaches. Individual interpreta- emphasis on color printing. Lecture 2 hours/
drawing and design skills relative to con tion and expression are encouraged. Lecture Studio 2 hours. Prerequisite: ART 170 or
current enrollment in a life drawing course. 2 hours/Studio 2 hours. Prerequisite: ART equivalent. Course Typically Offered:
Note: This course is Pass/No Pass only. 164 or equivalent. Course Typically Off ered: Spring. Transfer Credit: CSU, UC, USC.
Laboratory 3 hours. Corequisite: Enrollment Fall/Spring. Transfer Credit: CSU, UC, USC. (Print Making Family)
in one of the following: ART 152 or 201 or (Water Media Family) 174
205, or 206. Course Typically Off ered: Fall/ SCREEN PRINTING FUNDAMENTALS
Spring. (Life Drawing Family)
3.0 Units
160 ART 174 is an introduction to water-based
PAINTING I screen printing. The course includes an
3.0 Units introduction to the use of screen printing for
ART 160 develops skill, technique, and fi ne art and commercial purposes, a survey
composition in drawing and painting, using of equipment and processes, instruction in
media such as oils and acrylics. Problems various methods of stencil preparation and
include representation and abstraction. an investigation of printing with a variety
Lecture 2.5 hours/Laboratory 1.5 hours. of contemporary methods. Students can
Prerequisite: ART 150 or equivalent. (ART expect lectures, demonstrations and inde-
150 may be taken concurrently.) Course pendent work time. The course concludes
Typically Off ered: Fall/Spring. Transfer with student completion of at least one
Credit: CSU, UC, USC. (C-ID ARTS 210) (Oil multiple screen poster print. Lecture 2.5
Media Family) hours/Laboratory 1.5 hours. Recommended
Preparation: ART 130 or equivalent.

2019–2020 C A T ALOG • G LEND ALE C OMMUNITY C OLLEGE