Page 225 - 2018-19

Theatre Arts 221

109 121 129
STAGE MAKEUP I STAGE SCENIC DESIGN I BACKSTAGE LAB FOR PERFORMERS
2.0 Units 2.0 Units 1.0 Unit
T ART 109 provides instruction in the use T ART 121 is a practical course in the funda- T ART 129 is a course designed to introduce
and application of all types of stage make- mentals of designing stage scenery. All the performance students to the backstage
up, the functions of makeup in the theatre, sets used in Glendale Community College aspects of technical theatre. Students work
analysis of facial features and corrective productions are designed by this class. on projects that directly support the dance,
techniques, research and color theory, and Lecture 1 hour/Laboratory 3 hours. Prerequi- music, or theatre production in which they are
basic three-dimensional technique. Note: site: T ART 171 or equivalent. Transfer Credit: concurrently enrolled. Through the analysis
Additional hours may be required to work CSU, UC, USC. (Scenic & Lighting Family) and implementation of production designs for
on GCC productions. The AA-T Theatre 122 scenery, lights and sound, they gain a greater
Arts Degree requires both Theatre Arts 109 STAGE SCENIC DESIGN II understanding of the relationship between
and Theatre Arts 110 to add up to the 3.0 2.0 Units performance and the backstage support.
units of C-ID Number: THTR 175 (C-ID Title: Note: This class will be limited to twenty
Stage Makeup). Lecture 1 hour/Laboratory 3 T ART 122 is a continuation of T ART 121 students. Laboratory 3 hours. Prerequisite:
hours. Prerequisite: None. Course Typically with more emphasis on originality of design. None. Corequisite: Enrollment in one of the
Off ered: Fall/Spring. Transfer Credit: CSU, Students continue a study of research and following: DANCE 135, MUSIC 143, 146, 147,
UC, USC. (T ART 109 & 110 C-ID THTR 175) the collaborative design process in the area 170, 231,235, 236, 237, T ART 160, 161, 162, 163,
(Costume & Makeup Family) of scenic design and set installation tech- 164. Course Typically Off ered: Spring. (Tech-
niques, while creating an environment for nical Theatre: Stagecraft/Building Family)
110 the performer and audience. Lecture 1 hour/
STAGE MAKEUP II Laboratory 3 hours. Prerequisite: T ART 121 134
1.0 Unit or equivalent. Transfer Credit: CSU, UC, USC. PRACTICAL AND THEORETICAL
T ART 110 is a continuation of Theatre Arts (Scenic & Lighting Family) ASPECTS OF STAGE LIGHTING
109 with emphasis on special eff ects using 123 2.0 Units
prosthetics, facial hair and wigs. The course FUNDAMENTALS OF COSTUME T ART 134 is for the advanced student in
builds upon the basic stage makeup taught DESIGN technical theatre. It is a course designed to
in Stage Makeup I with a focus on special 3.0 Units develop the skills and techniques which are
eff ects that signifi cantly change the actor necessary for the student’s participation and
for the purpose of performance. This is an T ART 123 is a course in the history, design, appreciation of the art of stage lighting. It is
introduction to potential career paths for and construction of costumes for the stage. hoped that the student will develop, as a result
students interested in makeup design. Note: This course includes an exploration of of familiarity with stage lighting practice, a
Additional hours may be required to work historical practices, the planning for and sense of balance and rhythm with regard to
on GCC productions. The AA-T Theatre Arts the buying of suitable materials, design and color, light and shadow, and mass. Laboratory
Degree requires both T ART 109 and T ART color schemes, the design and construction 6 hours. Prerequisite: T ART 133 or equiva-
110 to add up to the 3.0 units. Laboratory 3 of costumes and accessories, arrangement, lent. Transfer Credit: CSU, UC, USC. (Scenic
hours. Prerequisite: T ART 109. Course Typi- and maintenance of the costume wardrobe. & Lighting Family)
cally Off ered: Spring. Transfer Credit: CSU, Students in this course design and make 140
UC, USC. (T ART 109 & 110 C-ID THTR 175) costumes for school dramatic programs. INTRODUCTION TO PERFORMANCE
(Costume & Makeup Family) Note: Students in this course are expected to
be available for additional hours to work on FOR THE CAMERA
111 costumes for theatrical productions. Lecture 3.0 Units
VOICE FOR THE ACTOR 2 hours/Laboratory 3 hours. Prerequisite: T ART 140 is a comprehensive introduction
3.0 Units None. Course Typically Off ered: Fall/Spring. to performing in the media of television and
T ART 111 introduces students to the proper Transfer Credit: CSU, UC, USC. (C-ID THTR fi lm. The course explores the styles and the
use and maintenance of the voice on stage 174) (Costume & Makeup Family) mastery of technical specifi cs demanded
primarily through the use of the Linklater by each medium. The approach is to teach
Technique. The main goal of the course is on-camera techniques simply and correctly,
to help students free their ‘natural voice’ in while providing a broad understanding
order to perform on stage with vocal freedom, of why and how things are done in media
safety, and control. Elements from Lessac and production. Practical aspects of facilitating a
Berry and instruction in the International performance career are covered: getting an
Phonetic Alphabet (IPA) will be incorporated agent, joining the unions, and acquiring the
in units on articulation and proper place- necessary tools of the trade, such as pictures
ment of sounds. Emphasis will be placed and resumes. Lecture 3 hours/Laboratory 2
on vocal theory and the basic mechanics of hours. Prerequisite: None. (Acting Family)
vocal production technique. Lecture 3 hours.
Recommended Preparation: Eligibility for
ENGL 120 or ESL 151. Course Typically
Off ered: Fall/Spring. Transfer Credit: CSU.
(Acting Family)

2018–2019 C A T ALOG • G LEND ALE C OMMUNITY C OLLEGE